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| Style Contemporary |
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| 1950-Now |
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| Style Abstract |
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| A 20th century style of painting in which nonrepresentational lines, colors, shapes, and f... |
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| Style Abstract Expressionism |
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| Movement in painting, originating in New York City in the 1940s. It emphasized spontaneous... |
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| Style Deco |
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| Design style prevalent during the 1920s and 1930s, characterized by a sleek use of straigh... |
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| Style Nouveau |
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| A decorative art movement that emerged in the late nineteenth century. Characterized by de... |
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| Style Pop Art |
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| A style of art which seeks its inspiration from commercial art and items of mass culture (... |
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| Style Magic Realism |
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| Magic Realism is deeply rooted in everyday reality, but has overtones of fantasy or wonder... |
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| Style Folk Art |
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| Traditional representations, usually bound by conventions in both form and content, of a f... |
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| Style Figurative Art |
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| Art in which recognizable figures or objects are portrayed. |
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| Style PostModern |
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| The main features of postmodern style are nostalgia and retro, recycling earlier genres an... |
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| Style Expressionism |
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| An art movement of the early 20th century in which traditional adherence to realism and pr... |
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| Style Modern |
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| 1900-1949 van Gogh, Monet |
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| Style Naïve Ar |
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| Artwork, usually paintings, characterized by a simplified style, nonscientific perspective... |
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| Style Primitive |
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| Style Symbolism |
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| An art style developed in the late 19th century characterized by the incorporation of symb... |
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| Style Impressionism |
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| An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise. |
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